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Can Facebook’s New ‘Graph Search’ be an Engine of TV Show Discovery?

By Matt Ramella

Combining search with the social graph could create Social TV’s new recommendation engine

This week, Facebook launched a limited beta release of Graph Search, an improvement to Facebook’s search tool. The social network touts it as a new way to search, enabling people to find information through the filter of their friends and the things they care about. If you haven’t done so already, go to facebook.com/graphsearch to get on the waitlist.

Once you get access to the beta release, you’ll be able to start searching a subset of Facebook social graph content, across four main areas — people, photos, places, and interests. Interests include TV-related queries such as: “tv shows my friends like,” “friends who live in Chicago and like Shameless,” or “people who like The Bachelor and live nearby.” 

It’s important to highlight that Facebook’s vision for search is quite different from Google. A web search takes a keyword or phrase and gives you back a series of links that might be what you’re looking for. While Facebook Graph Search will strive to display a more relevant, personalized answer culled from what your friends, and their friends, have shared on Facebook.

Steven Levy at Wired writes, “The result is surprisingly compelling. The mark of a transformative product is that it gets you to do more of something that you wouldn’t think to do on your own. Thanks to Graph Search, people will almost certainly use Facebook in entirely new ways.”

But will people end up using Facebook to search and discover new TV content that their friends are watching? And will Graph Search aid broadcasters in their goal of driving more awareness and tune-in?

It certainly might in the future, but not yet. It’s very early days and the first release is limited in what it can do. The good news is that Facebook is committed to making search a key pillar of the platform moving forward. And that will result in the social network becoming a more valuable social TV companion for consumers, which in turn will build a much richer data set for networks and advertisers. However, before that happens…

Here are 5 things that Facebook needs to add to Graph Search in order to make it a more powerful social TV recommendation engine:

1. Most social TV conversation takes place in the news feed, via real-time status updates while shows are on-air. In order to provide more meaningful results, Graph Search also needs to index user posts and status updates (Facebook has said they are working on this). Including status updates will allow the search algorithms to identify and display people who are talking about TV-related topics (instead of just surfacing people who have liked certain Facebook Pages). This is important because the TV shows our friends officially ‘Like’ may not at all represent what they’re watching and talking about right now.

2. Viewer engagement on “second screen” companion devices (smartphones, tablets) and apps are transforming the TV experience. Graph Search features need to be incorporated into Facebook mobile apps to truly leverage the growing second screen user base.

3. Apps will now be more discoverable in Facebook search results, showing up when users type something like “entertainment apps my friends use.” In the short-term, Graph Search will also evolve to integrate the actual behaviour, or actions, people take inside of apps. Netflix and GetGlue are in a prime position to benefit once Facebook adds Open Graph actions (such as, videos viewed or TV show check-ins) to its search capabilities. This will be much more valuable than just indexing that my co-worker, Ben, “likes” Arrested Development.

In the longer term, adding audio recognition technology to Facebook mobile apps (sampling audio from your TV and matching it to the show’s Facebook Page) will make it easier for people to automatically start a “collection” of their favourite TV shows. In turn, it will provide massive amounts of viewership data from Facebook users, data that networks and advertisers can eventually use for ad targeting.

4. That brings us to new ad formats. By combining social TV context (TV shows your friends recommend) and intent (new shows you’d like to watch), ad targeting can become much more effective. For example, FOX could add users who have been searching for “The Following” to its ad targeting group of potential viewers. Or, CBS could buy sponsored NFL search results that click through to show “friends in your city who like the same NFL team as you do,” offering the group the chance to win a game day VIP viewing party at the most highly recommended sports bar in the city.

As the user experience matures for Graph Search, you can bet that Facebook will roll-out enhancements to their Sponsored Result ad format and begin to monetize its new database of user intent. Once that happens, networks and brands will be able to tap into new, and potentially more effective, ad targeting options.

5. Improved search capabilities will be most beneficial to the average user if Facebook finds smart ways to add “frictionless” value. An easy way to accomplish this is to integrate search queries into Facebook notifications. For example, imagine you were interested in finding out what “new sci-fi shows my friends like” and were then prompted to turn on notifications associated with this search. That way, you’d be automatically alerted when one of your friends expresses interest in a new sci-fi show 1 month, 6 months, or even a year down the road. Now, that would be a pretty compelling feature. 

Facebook’s new “search engine of discovery” is still in its infancy and currently available to only a select few. For now, focus on facilitating and creating opportunities for viewers to share and talk about what they’re watching. Before you know it, all of the fragmented TV-related Facebook activity happening in users’ news feeds will transform into the world’s largest, and most personal, social TV recommendation engine.

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How do you think Graph Search will impact the Social TV landscape?

ABOUT THE AUTHOR: Matt Ramella is VP of Strategy & Intelligence at Syncapse, a global leader in enterprise social performance management for the world’s leading brands. If you enjoyed this article, you can hear more from Matt on his blog at SocialStraightUp.com, or by connecting with him on Twitter. Matt also curates all things TV + social media through SocialTVdigest.

Don’t count Facebook out of the Social TV measurement game

By Matt Ramella

How Facebook can eclipse Twitter to become the currency of Social TV conversation

Photo Credit: Claudio © on Flickr

Photo Credit: Claudio © on Flickr

If you’re anything like me, your Facebook and Twitter feeds are often filled with comments (and spoilers) from friends about what they’re watching on TV. Thanks to the growing ubiquity of “second screen” mobile devices, sharing a real-time reaction to a game-winning goal, a favourite reality competition or the latest election results through social media is just a few quick finger taps away. According to Nielsen’s latest US Cross-Platform Report, 44% of 18-24 year olds and close to 50% of 25-34 year olds are using social networking sites on their smartphones while watching TV.

Beginning with next Fall’s TV season in the US, Nielsen will be rolling out the Twitter TV Rating to provide a standardized measure of live TV conversation occurring on Twitter — and there’s a lot of it. In a 2012 Year in Social TV Infographic, Bluefin Labs reports that ~95% of the 874 million public social media comments made about TV telecasts happened on Twitter.

SEE ALSO: The definitive collection of Social TV Infographics on Pinterest

According to the Nielsen release, “The Nielsen Twitter TV Rating will serve to complement Nielsen’s existing TV ratings, giving TV networks and advertisers the real-time metrics required to understand TV audience social activity.”

But of course, tweets are not all that matter when measuring live social media engagement with TV shows. So this begs the question: Why has Twitter, not Facebook, become the de facto currency of real-time television conversation dubbed “Social TV”?

It goes without saying that Facebook chatter is much more representative of the general population. Many more people use Facebook in real-time and engage with the platform more actively. Yet, Nielsen is forging ahead with Twitter super-users as the measure of social TV engagement. Here’s why…

Twitter data is public by nature. Whereas almost all tweets are publicly accessible, posts on Facebook remain largely private. Most people choose to make their Facebook status updates and content viewable to only their friends. Social TV analytics companies can only measure what they can access. As a result, the small percentage of public Facebook updates surrounding TV shows represent an insignificant portion of measurable Social TV engagement.

I have no doubt that Facebook has a desire to be at the Social TV measurement table, instead of just on the menu. It’s in their best interests to provide access to a larger data set of TV-related conversation so that it can be heard by networks and advertisers, versus just barely being seen. After all, Facebook is keenly focused on tapping into advertising dollars that have traditionally been allocated to the television line on the media plan.

How Facebook can become a player in social TV analytics

For starters, Facebook must expand their Insights product to begin to aggregate TV-based conversation volume and sentiment across the entire user base — not just the subset of public status updates and comments made on posts published from the official Pages of networks or shows.

In parallel, a key metric must evolve to better reflect viewer conversation related to TV programming. Today, networks have access to the number of ‘People Talking About’ their shows through Facebook Page Insights.

Big Bang Theory Facebook Page Public Insights [Screenshot]

As a meaningful Social TV metric, People Talking About This (PTAT) falls short:

  • It does not capture TV-related conversation from personal status updates unless people remember to officially mention, or @ tag, the Page (which is unlikely)
  • The metric also includes activity that is not related to people actually commenting about TV shows. For instance, when someone likes a Page or shares/likes a Page post, these actions are included in The Big Bang Theory’s 398,596 PTAT number (see screenshot above), along with actual comments  

Facebook can significantly impact the Social TV analytics space by providing data that represents a complete view of real-time TV conversation and sentiment. If I worked at a network, I’d be chomping at the bit to have access to a Facebook Insights dashboard that gauged minute-by-minute viewer engagement before, during and after shows were broadcast. Providing not only the amount of viewer comments and sentiment by geographic markets or consumer segments, but also identifying specific moments in the show that resonated with the audience.

On top of that, Facebook has a prime opportunity to use an algorithm to provide viewers with Trending TV Topics — think Twitter’s Trends, but incorporated into your Facebook feed. Trending TV Topics on Facebook would feature the hottest TV chatter of the moment, but with an element of personalization. Tailored for you based on the Pages (shows) you like, your location, what your friends are watching on Netflix, engaging with on GetGlue or, in the future, actual real-time viewership from set-top boxes.

This wealth of data could then be provided (or licensed) to a measurement provider like Nielsen or Bluefin Labs to augment the tweet, providing much more balanced and valuable insight into Social TV activity.

The benefits

For starters, networks would have an improved ability to understand broader audience engagement and TV show affinity. In turn, this data could be used to drive greater tune-in, boost loyalty, optimize marketing promotions, and grow ad revenue. On the other hand, advertisers could better evaluate the social media value created around their commercial placements or product integrations. These findings could help to inform which shows or genres drive more social conversations about a brand, in turn improving the return on traditional ad buys.

With the implementation of a feature like Trending TV Topics, we could see dollars shift to promote unique second screen content as a “trend” while shows are airing (similar to how Twitter offers Promoted Hashtag Trends). Not only would broadcasters be able to create relevant news feed exposure at scale, but they’d also begin to understand how Facebook can bring in additional viewers and boost audience engagement. This feature would also allow for the integration of organic Facebook trending topics into live telecasts, giving Twitter a run for its money by making Facebook a more integral companion to TV viewing. 

From an advertiser standpoint, offering large advertisers the ability to insert sponsored stories into what people are talking about right now presents countless opportunities. Marketers would be able to tap into brand-relevant moments, like the Patriots winning the SuperBowl, to distribute relevant and customized content that (hopefully) creates stronger emotional bonds with consumers.

And that’s how the combination of Facebook and television has the potential to become so very powerful.

When and how do you think Facebook will put a more robust view of social TV data in the reach of networks, brands and agencies?


ABOUT THE AUTHOR:
Matt Ramella is VP of Strategy & Intelligence at Syncapse, a global leader in enterprise social performance management for the world’s leading brands. If you enjoyed this article, you can hear more from Matt on his blog at SocialStraightUp.com, or by connecting with him on Twitter. Matt also curates all things TV + social media through SocialTVdigest.

CBS Connect App Brings Stars and Viewers Together on iPad

Reblogged from Mashable, by Brian Anthony Hernandez

CBS Connect, a new second-screen app for iPad, aims to make it easier for people watching CBS shows to interact with other viewers and even stars from the network’s programming.

The free app landed in the iTunes Store on Thursday. It will filter conversations about each CBS show from Facebook and Twitter into a central location in the app so viewers won’t have to bounce from one social network to the other while watching TV.

CBS Connect is similar to the feature of the same name on CBS.com. The iPad app also offers synced experiences for CSIHawaii Five-0 and NCSI: Los Angeles.

The sync capabilities for the three shows allow users to get a tailored second-screen experience whether they’re watching an episode live or later at their own convenience. The sync feature will work starting with the Jan. 8 episode of NCSI: Los Angeles, the Jan. 14 episode of Hawaii Five-0 and the Jan. 16 episode of CSI[Read More]

screenshots via iTunes Store

Zeebox is set to let cordcutters join its social TV party thanks to a deal with Gracenote

Reblogged from The Next Web, by 

Zeebox is set to integrate Gracenote’s Entourage automatic content recognition system, which uses audio fingerprinting to allow apps running on smartphone and tablets to identify content after ‘listening’ to its audio for a few seconds. This will allow Zeebox to constantly  monitor the audio of the show you’re watching, ensuring that it always shows relevant complementary content.

Its reliance on broadcast TV was always a potential stumbling block in a world of increasingly timeshifted viewing patterns. When a future update integrates Gracenote’s technology, the app will be able to seek out an audience amongst those who use PVRs and online catchup services… [Read More]

Twitter Is Already Winning The Social TV War, But It Will Soon Do More

Reblogged from TechCrunch, by Ryan Lawler

The past few years have been a rollercoaster ride for the social TV market. Driven by the growth of smartphone and tablet usage while viewers watch television, dozens of companies have emerged in that time to aggregate audiences who wish to share what they’re watching on TV with other, like-minded viewers. But for all the startups that have emerged to tackle the issue of social TV, only one seems to be thriving — and that’s Twitter, a social network that (paradoxically) hasn’t been focused uniquely on the social TV problem.

We’re already seeing the early signs of a shakeout in the social TV marketplace, as startups are being acquired or silently disappearing from the scene. Not too long ago, Socialguide was acquired by Nielsen. And last month, Viggle and GetGlue announced plans to merge (although those plans are contingent on Viggle securing more financing). At the same time, other competitors — like, for instance, Miso — are pivoting to try new things or moving into adjacent markets.

Much of the reason these new, TV-centric social networks are failing to catch on is that there’s already a place where people share their feelings about what’s on TV: Twitter. And while Twitter hasn’t been terribly aggressive thus far in taking advantage of that, you can expect to see it do more over the coming year… [Read More]

‘Social TV’ Platform Stevie Inks $1.5M In New Funding, Launches Cool iOS App To Turn Social Feeds Into TV Channels

Reblogged from TechCrunch, by Mike Butcher

We first heard about Stevie under the radar a few months ago. The company was in stealth and wouldn’t say too much, but we gathered it was some kind of clever mashup of social feeds which could be displayed on smart TVs. They they came out the door earlier this year with a very interesting product at TechCrunch Disrupt – so interesting that they have now secured a $1.5 million Series A funding round from Horizons Ventures bringing their total funding raised to $2.1 million. The startup is also launching the Stevie iPhone app, which joins the iPad, Web and Windows 8 versions. The funding will be used to develop the app across to the Xbox, Android and more connected TVs.

Stevie is, well, cute. It turns your Facebook and Twitter feed into a TV style format – and it prioritises images and video in the fee to give it that ‘social TV feel’. Viewers’ social content, along with other popular material from around the web, is brought to you in customised channels. It’s hard to think of another app out there quite like it.

Yael Givon, CEO and co-founder says he wants to bridge “the gap we see between social content and the broadcast experience.” [Read More]

Social TV’s Top 10 Moments For 2012

Reblogged from Forbes, by Michael Humphrey

Debate #2: Super Social. (Image credit: Getty Images via @daylife)What began as a natural phenomenon — you see something on TV, you say something on Social Media — has the attention of every TV exec these days.

That wasn’t quite as true a year ago.

From record engagement to major campaigns to multi-million dollar acquisitions, there’s no question that Social TV has a future. Nobody is clear on what that is, but the point of this post is to look back.

Here is my list of 10 important moments for Social TV. It’s far more idiosyncratic than scientific, and surely I missed something big and good, but it offers a glimpse how much happened in this critical year for the space. Feel free to add to the list… [Read More]

In Canada, Social TV Viewers Tune In

Social TV apps still not popular

Reblogged from eMarketer

The convergence of TV and social networking is well underway in Canada, as consumers share comments and post clips on social sites, becoming mini-ambassadors for their favorite shows. Nearly three out of 10 internet users in the country considered themselves a “social TV viewer,” according to a Q2 survey from Solutions Research Group.

But where are users doing the bulk of their social TV posting? Not surprisingly, Facebook, at 31%, beat out Twitter as the top site for posting a comment. Twitter was not far behind, though, despite its penetration disparity with the social networking giant. One-quarter of those who had posted about a TV show reported that they had done so on the microblog.

Source: emarketer.com via Social TV Digest on Pinterest

And posting social updates about TV programs is not only about the immediate engagement of users. It can have a ripple effect after the show has aired, especially with the growth of online viewing and TV streaming via over-the-top (OTT) devices. Fifteen percent of respondents said they had ultimately watched a TV show after being prompted by a tweet.

What has been slower to catch on in Canada, however, are apps like Get Glue that allow users to “check in” to shows. Only 3% of social TV viewers had actually used the Get Glue app… [Read More]

Dick Costolo says Twitter is a reinvention of the town square — but with TV [VIDEO]

Reblogged from GigaOM, by 

New forms of media are often disruptive to existing forms, but Twitter CEO Dick Costolo says that his network is complementary to traditional forms like television, because it adds the kind of real-time discussion we associate with the town square or the “pulse of the planet.”



Twitter chief executive Dick Costolo gave a lecture earlier this week at his alma mater — the University of Michigan — where he talked to a crowd at the Ford School of Public Policy about how the real-time information network has changed the nature of communication and media in the 21st century. Costolo spoke a lot about how Twitter has leveled the playing field for celebrities, many of whom can now talk directly to their fans without having to go through a media outlet or other intermediary, but he also talked about Twitter’s relationship with existing media, and it was clear from his speech that he sees it as being a very symbiotic one — especially when it comes to broadcast television.

Much of the coverage of Costolo’s talk has focused on the numbers he provided during the speech, including the fact that Twitter now handles more than one billion tweets every couple of days (it took over three years for the service to hit its first billion)… But apart from those headline numbers, and some history about Costolo’s experiences at the University of Michigan, much of the hour-long talk was devoted to how the Twitter CEO believes that the service has reshaped and disrupted media. Ever since the invention of the printing press, he said, we have had what amounts to broadcast media of one kind or another: it is one-way, and while it achieves broad distribution, it loses some of the benefits of the original town square or what the Greeks called the “Agora,” where townspeople shared the news of the day.

In a nutshell, that’s what the Twitter CEO says his network provides now: a way of injecting the real-time, multi-directional and unfiltered nature of the town square back into the media. And the best part, Costolo says, is that while most new technologies are disruptive to traditional forms of media — in the sense that they disintermediate them — Twitter is actually complementary to mainstream sources of media such as television. More than once, the company’s CEO referred to the “second screen” experience that Twitter provides for real-time events such as the Olympics and Hurricane Sandy… [Read More]